Hong Kong, Chinese, Taiwanese and now Jiao Xu, the 'CJ7' fame kid forayed into the Korean film industry. She was quite impressive in all her movies, we can call her a Disney girl from east. Her performance and flawless CGI character(s) are the movie's advantage. Frankly, I never expected such a clean graphical character like western's big production house do.Last time I heard was these eastern countries fought for the rights of Senkaku islands. But now it is good to see they are together for this wonderful movie. It won't be your favourite flick, but will be a cool movie to watch with children. For the moment I even thought did they hired Andy Serkis to do motion capture for the Gorilla. Because it was that perfect and Serkis is the only known who is a master in giving such performance.After losing their elders in an earthquake, a young circus ringmaster, Wei Wei and other children struggle to rebuild the business. When load shark threatens to take the kids and sell animals to cover the debt, Wei Wei comes up with a plan. To make a big buck that she must leave China for South Korea with her beloved pet, a gorilla called Ling Ling to take participate in the baseball series. Soon their popularity reaches far east, where many Japanese baseball franchises stand in the queue to sign Ling Ling in their team. When everything was going fine, the problem arises after money lender follows her there with another plan.It is a Korean's answer to Hollywood in the field of live shot movie with merge of an animated character. We must appreciate the filmmakers for their contribution to this movie from impossible theme to making possible. The plot is not believable, a gorilla to play baseball? Humans are no match with a gorilla's strength, then how can they allow to participate the tournament. It was a comedy flick so there you go that mean it is nothing more than an entertainment. In the perspective of family audience and kids, it is worth giving a shot.7.5/10
On the first time you step into theater studio to watch this movie, you may expect Mr. Go is just another family-oriented film with basic plot and predictable ending but I should say, it wasn't. The plot is well- build. For first thirty minutes of the movie we are asked to 'learn' the history of the star gorilla explaining the relation the gorilla and the human child shared. Not like another movie with animal-human relation, this one is so vivid. You'll know exactly why the gorilla loves her so much.Though some of plot elements are quite questionable. The plot twist also not disappointing, it plays with our sympathy to that gorilla and might cause to tears a bit (for kids, may be they really would cry, gentle one). Surprisingly, the visual are so Hollywood-like. The CG of gorilla looks so natural and expressive, scenes in stadium shows that they really look for details, such as choreography. Being released in 3D, it's worthy. You may shove your body to avoid the balls they are throwing but that's it. The only scene which is worthy to watch in 3D is just in the stadium one. The characters don't flow so smoothly through the entire movie. They give us some ala Korea jokes to laughed at, which are nice I think, but it can't cover the hole of its characterization. The difference between a character on the beginning and last half of the movie is so contrast without a sleek progression. We may questioning, "why is he suddenly like that?" Though like I said, the plot twist is still unpredictable. Some casts are brilliant, but I can't help myself to dislike the human- kid due to her angry-like expression in whole of the movie. Odagiri Jo's act is so amusing to be missed. Overall, it's a nice movie to be watched with your kids. The very 30 minutes may make you boring but the last 30 minutes is incredibly enjoyable for a trilingual movie (chinese, Korea, Japanese). It also gives good value through the story and heartwarming ending that will make you stay until the credits really comes out ;)
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The beginnings of Yellow Peril discourses go back to the late nineteenth century but by 1912 a shift was occurring. With Japan's stunning and alarming victory over Russia in 1905 after several decades of rapid Westernization and modernization and the revolution in China in 1911 that saw the country finally throw off its antiquated dynastic ruling system in favour of a modern republic, the Far East was awakening and thus a likely breeding ground for a new kind of threat to white civilization, a threat combining Eastern cunning and Western [End Page 441] technological knowledge. In popular fiction, these fears coalesced into the figure of Sax Rohmer's now notorious Dr. Fu Manchu and on the West End stage into the formidable title character of the play, Mr. Wu. Though now almost forgotten, Mr. Wu had been a sensation on stage in its London West End debut, running for 404 nights to rave reviews.2 Its success led to its novelization in 1918 and a lavish, successful British silent film adaptation a year later by Stoll Pictures. The play was again revived in 1916 and 1922 by Matheson Lang, who had played Mr. Wu in 1913, to still-great acclaim, with the Times reviewer of the 1922 production even claiming that "Lang's conception of Mr. Wu, with his Oriental passions and his Occidental culture, was far too good to be lost to us forever."3 Indeed, Matheson Lang was so identified with the role that he even titled his autobiography, Mr. Wu Looks Back.4 The rest of the 1920s saw Mr. Wu continue to thrive in another silent film version in 1927, this time from Hollywood's MGM Studios with Lon Chaney in the lead role, and a BBC radio broadcast of a Matheson Lang production of the play the following year.5 By the 1930s, what had in 1913 been carefully billed as an "Anglo-Chinese play," however, was now being classified as a suburban melodrama.6 But in its prime, Mr. Wu marked a distinctive moment when the Yellow Peril was rearticulated for a new geopolitical era by drawing attention to the charismatic Oriental who embraced Western modernity and wielded Western learning and in so doing, became both villain and hero, rendering the British hero worryingly redundant.
To the sea! Plan your nature film night and discussion now. In this beautifully photographed semi-documentary, a Mexican father takes his 5-year-old son on a two week journey to explore the Banco Chinchorro coral reef and to teach him about his Mayan roots. In Spanish, with English subtitles. Available from Hoopla and Kanopy. 2ff7e9595c
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